by
04/10/13 10:02am

Untapped Cities - City Diaries by Lapin - Mercat dels Encants Barcelona

Mercat dels Encants is one of the oldest markets in Europe. Certain references set its origin in the fourteenth century, being a testimony of the commercial dynamic of Barcelona.

When you start walking around this flea market you cross among the nice dusty smell of old books, sizzling sounds of old vinyl, old clothes, shoes, toys and furniture with lots of stories behind them – and this famous old salesman standing there for years with his own stories.

Untapped Cities - City Diaries by Lapin - Mercat dels Encants Barcelona - Jesus

Encants, meaning charm in Catalan, fulfills its name by its unique charm. This flea market carried me away at first sight and has become the source of my biggest inspiration for my style. I find old account books from the 70s in this mystical market to create my sketchbooks. The texture, the few written pages and the feeling of completing something defines my affiliation.

I’m sure this market will take you away and back in time, and during this journey you will witness how the past becomes an inspiration for your everyday life. And it is always a big surprise with what you will return home in your shopping bag (just as I have once bought these night goggles to sketch in the dark).

So, be quick for this journey as they will renovate the market soon and it will probably lose its “encant.”

Untapped Cities - City Diaries by Lapin - Mercat dels Encants Barcelona - gafas

Get in touch with the author @lapinbarcelona and check out his blog. Come back every other Wednesday for the next installation of City Diaries by Lapin.

by
03/13/13 4:49pm

Untapped Cities - Lapin - Plaza Catalunya - Barcelona

Plaça de Catalunya is the “center” of Barcelona. At least when you arrive at the airport all the signs lead you there, and the aerobus will drop you off at Plaza Catalunya as well. As it is perceived so touristic and hectic, local Barcelona people mostly avoid being there.

El Corte Inglés, the nine floored shopping center located in the middle of Plaza Catalunya, has the same unfortunate reputation as well. But there is a secret place hidden in that building. The roof floor has a café (La Rotonda) where you dominate an amazing mute view of this chaotic beauty.

To start the day with a morning coffee and to remember how beautiful the city is, I think this is your address.

Get in touch with the author @lapinbarcelona and check out his blog. Come back every other Wednesday for the next installation of City Diaries by Lapin.

11/01/12 11:00am

 

Roller dancer, Skate Lisa, at Barcelona’s Hotel W Spot. Photo by photographYeah.

Michelle Barrios spent her weekends from the age of around eight or nine at El Patà­ ­n Dorado (The Golden Skate), a giant lit up roller-skating rink in Panama City, Panama. There she taught herself to roller dance (a combination of skating and dancing). She didn’t have a teacher, but instead used the passion her parents had given her for dance–they were always the first on any dance floor, anywhere, when the music was good–along with moves she picked up in dance class with her sister Indra. “The feeling of sliding the wheels to the music is indescribable,”  says Barrios. El Patà­ ­n Dorado closed when Barrios was 16 and it wasn’t until later in life that she returned to her roller dancing roots.

Michelle Barrios, BCN Roller Dancer creator, manager and brand ambassador. Photo by Juan Novakosky Photography.

The 41-year-old visual designer, who moved from Panama to Madrid and then to Barcelona, is creator, manager and brand ambassador of BCN Roller Dancer, a company she started in July 2011 to promote roller dance culture in the Catalan capital. “This is completely new for almost everybody here, as this is not part of the culture. This [roller dance] is a strong culture in cities in the USA (Venice Beach, NYC, Detroit…) and in Europe the strongest community is in London,”  Barrios says.

Curious to see what the world outside Central America had to offer, Barrios moved to Madrid in 1999. In 2001, while exploring the streets of Spain’s capital, she got back into roller-skating. She opened a MySpace account in 2004 under the name “Roller Girl” -the account is now called Rizadeira/Michelle Roller Dancer, after Barrios realized that Roller Girl was the name of a porn star. Through the page she made connections with skaters throughout the world, but mostly those living in the U.S.

Roller dance was made popular during the ’70s and early ’80s in the U.S. thanks to skilled skaters like Bill Butler. Butler is known as the Godfather of Roller Boogie and started funky soul skating at Brooklyn’s Empire Skate Rink. He now hosts The Bill Butler Jammin’ Show online and has been described by Barrios as “incredible and unstoppable.” 

Barrios moved to Barcelona in 2006 after falling for the city and its sportier lifestyle and skater friendly pavement while at a weekend design conference there. “Barcelona is a paradise for wheels: Long boards, skateboards, bicycles,”  she says. From June 2010 to 2011 she worked, without remuneration, with the Roller Disco BCN project, which organized roller skate parties. Due to differences that arose within the group, she left and started her own venture, BCN Roller Dancer.

Roller dancers Medeleine Waalkens and Leonie Hoebe in Barcelona. Photo courtesy of BCN Roller Dancer.

With BCN Roller Dancer she’s organized interactive entertainment events like Movies & Groove. For this event, a roller-skating themed film is shown, followed by a roller dance party to the tune of funk, soul and hip-hop music.

Fiesta Roller Dance, which Barrios hopes to host monthly, is a roller-skating dance party for kids and adults. The next party will be held on November 3 in cultural space Nau Ivanow, with DJ Roger C supplying funk, soul, R&B, boogie and dub tracks. Barrios hosted the first Fiesta Roller Dance in September and since then she has revamped the logo and opened a new online shop with roller dance wears.

BCN Roller Dancer’s new logo.

BCN Roller Dancer continues to use social media platforms, like Facebook, YouTube, Twitter, Pinterest and their website to grow its community. Meetups at one of two choice roller dancing spots   – the Hotel W Spot and Garcà­ ­a Faria Spot – are organized for out-of-towners and locals. Barrios personally prefers the vibe of the W spot, to the perfect pavement of Garcà­ ­a Faria.What’s needed to roller dance?  Barrios says: “Simply a love for dance and music. It doesn’t matter if you’re on quads or inline skates.” 

Fiesta Roller Dance with DJ Roger C
Nau Ivanow: c/Hondures 28-30, Barcelona, Spain
November 3; 7 p.m. ”” 11 p.m.
Door Fee: 7€ ($9) (includes a drink thanks to Moritz)
The first 100 attendees will get BCN Roller Dancer buttons compliments of Chapalandia.

Get in touch with the author @wanderlustwrtng.

09/25/12 11:52am

I recently came back to Barcelona on a whim, somewhat of a necessity but additionally without any plans to remain or return, or to go any other direction. I suppose I was lost, and Barcelona always allows me the comfort to dive inside her, to swim in circles if need be until I can stand on my own in the deep end. It’s a city I hold very dear to my heart: Barcelona provides me with many memories and opens her arms wide to receive me again and again. On this last visit to the ‘Ciudad Condal‘ I encountered a similar soul, a wanderer like me – we hit it off and became fast friends – however, we both knew that this friendship would be short lived, like our time in Barcelona. Because it’s a transient city; people, businesses, heat, rain showers come and go like a ripple of the Mediterranean, the sea which it sits beside. Popular names such as Picasso, Hemingway and Manu Chao have left their footprint in this city, and for good reason; the streets are riddled with charm, character and life. Zigzagging from neighborhood to neighborhood, new discoveries await the urban explorer. It sometimes feels as though there is a place for everyone in Barcelona during some point of their life, although the difficulty of language, jobs and the wanderlust of many sweep the streets of their inhabitants like the twice daily street cleanings, inviting new souls and dust to settle the next day.

Even Untapped Cities contributor and photographer Sivan Askayo couldn’t get enough of what drew her  aesthetically  to this city, her adventure in Barcelona  sparked a love affair.

Catalan, the official language of the autonomous community, la Comunitat de Catalunya, provides another element to this temporal feeling besieged on its visitors and immigrants. While not an impossible language, there are hot  political  feelings associated with the teachings, learnings and daily life activities that take place in a society which is believed by outsiders to be Spanish. Expats of Australia, the US or the UK are often confined to a period of teaching English or freelance work in their native language, and while they adore the city and their life in it, they bore of being pigeonholed, and they eventually move on. Regardless, this ephemeral effect on the city has its advantages, and the diversity and continuously throbbing energy of new talent being pumped in the city can be seen in its urban art and graffiti scene, also in its cultural offerings – but this could be at risk.

A stencil graffiti piece by C215 found in BarcelonaFrench street artist C215 uses stencils to create his colorful and eye-catching works of art in Barcelona.

Barcelona's local graffiti artist PezLocal urban street artist Pez has been known and commissioned by many of Barcelona’s vendors to paint their stores’ shutters.  

Street Art in El Raval BarcelonaBarcelona’s ‘El Raval’ neighborhood is littered with street art from international artists eager to paint scenes throughout this diverse and ever gentrifying ‘barrio.’

As I mentioned in a previous article about Madrid’s street art scene, Spain as a whole has struggled to let itself become too vulnerable to new things, particularly those perceived as artsy or alternative. The newly elected right-wing government has put the masses through a predicament as of late and in its spiral toward bankruptcy has made enormous budget cuts against education and culture (some artists have already expressed their vision of the current dilemma). As of September 1, 2012 a new law went into effect activating a tax of 21% on certain services. Those which were once considered to be basics are now thought of as a luxury. This means that everyday tasks like going to the barber shop, attending the gym, buying school supplies, going to the movies or attending a theater (of which Madrid and Barcelona have strong roots and actors with incredibly high talent), will be put into jeopardy for the average citizen of the state.

For pessimists this equates to destruction of an important part of life, a degradation of the spiritual and mental health of its residents. What will be left for the population if no one can afford to properly care for their children, support artists and craftsmen, allow themselves to laugh with a comedy, or cry with an opera? This is where I hope that graffiti artists around the globe can give life to the city, to brighten the streets from the misery that some people deem they are doomed to feel in the coming months, to put their work on display and inspire another generation to be creative, active and expressive, to encourage the fact that sitting behind a desk in a job that gives you security but little else is not the only window of opportunity.  For many residents, it’s that or leave, and as strong as the heart strings of Barcelona may tug, the reality stands that for the time being a calmer, more inviting water awaits them somewhere else.

A graffiti in El Born BarcelonaAn unknown stencil artist leaves behind a piece for  contemplation regarding  the 21st century definition of ‘El Dorado’ in El Born, Barcelona.  

So where is the light at the end of the tunnel? The key, and hopefully the Achilles’ heel of Barcelona is that she keeps alluring talent into the city, that she  doesn’t  allow her controlling and baleful policy makers to get the better of her, that she seduces those who fancy a dip regardless of the red flag at high tide. After all, the storm shall pass, and when it does, how nice will it be to fall in love with her all over again?

Things like this Kickstarter campaign  curated by Katrine Knauer of Urban Artcade will become a reality, merging local Barcelona based artists with a myriad  of expertise in the hopes of educating the public and sparking a dialogue with the city’s governing bodies. They are also responsible for the site  Mapping Barcelona  and will be celebrating the fundraiser’s success with an exhibit and documentary entitled Las Calles Hablan (the streets speak) this October.

Graffiti in Barcelona's Raval neighborhoodThe whole world is in our hands. We’d like to think that citizens stop and think in front of this street art example in Barcelona.  

Barcelona El Raval, Graffiti artist Alice Alice, a popular Italian street artist, stays quite busy with happy and bright colors portraying scenes of women of all ages throughout Barcelona, above all documented in the ‘El Raval’ area.  

Other websites such as bombarcelona  and Street Art News also document Barcelona’s urban art. While it seems that those who admire these works are notably niche groups, with the government putting restrictions on so many other facets of Barcelonians’ daily life,  undoubtedly  a new coat of paint on the walls and streets should call their attention and create action. After all, street art, like love stories, are free manners of expression for all citizens, regardless of how long they stand and observe.

Get in touch with the author @jamon_y_vino.

09/18/12 1:45pm

Welcome to the creative universe of Ferran Adrià­     (photo courtesy of Palau Robert, Barcelona).

The “Ferran Adrià­ and elBulli. Risk, Freedom and Creativity”  exhibition unveils the creative universe and talent of Ferran Adrià­ , the late 20th and early 21st centuries’ most influential chef, as well as the comprehensive capacity to innovate that he has applied to gastronomy with his work at elBulli restaurant. The exhibition is open to the public from February 2, 2012 to February 3, 2013 in room 3 at the Palau Robert in Barcelona.

Ferran Adrià­   (on the right) visiting the exhibition, seated at the projection table (photo courtesy of Palau Robert, Barcelona).

Over the years, Ferran Adrià­   has become a global icon of gastronomy. The work done at elBulli – considered the world’s best restaurant for five years running – has received global recognition and has set the direction for the future of cooking and how we think about food and dining. The names of Ferran Adrià­, Juli Soler, Albert Adrià­and of elBulli’s entire creative team are associated with values such as reflection, talent, innovation, leadership, teamwork, a job well done, internationalization and solidarity. Going far beyond the field of gastronomy, their work embraces areas such as art and technology.

The room “Origins (The Learning Years)” recounts the history of elBulli from its origins in 1956 to March 1987, the time when Ferran Adrià­ took charge of elBulli as its chef (photo courtesy of Palau Robert, Barcelona).

The exhibition comes after elBulli closed its doors in July 2011 and celebrates the restaurant’s 50 years of history (from 1961 on), coinciding with a time when Catalan gastronomy has become one of the top-ranking gastronomies in the global arena. Incidentally, Adrià­ turns 50 in 2012.

Although the decision to close the world-famous 3 Michelin star restaurant was taken in order that it could undergo its transformation  (Adrià­ stated elBulli had completed its journey as a restaurant) into elBulli foundation, a center for gastronomic experimentation and innovation that plans to disseminate its creations on the Internet from 2014 on, critics like to point out the restaurant had been operating at a loss in its later years. Once you enter Adrià­’s creative universe at the exhibition, however, it quickly becomes clear that here is a genius who cannot simply go on cooking – he needs to innovate and transcend regular restaurant work.

The evolutionary map illustrates the products, techniques, elaborations and philosophy with videoclips, and visitors can see emblematic dishes elaborated, all of which have been major milestones in Ferran Adrià­’s career and elBulli’s history (photo courtesy of Palau Robert, Barcelona).

The exhibition recounts the history of elBulli, from its origins in 1956 with the arrival of Dr Schilling and his wife Marketta at Cala Montjoi (between Roses and Cadaques), to March 1987, the time when Ferran Adrià­ took sole charge of elBulli as its chef. Audiovisuals, documents, photos and objects in chronological order highlight the qualitative jump made by the restaurant through an increasingly sophisticated gastronomic offering that had clear references to French nouvelle cuisine. In addition to Ferran Adrià­, the key figures in this transformation were Jean-Louis Neichel,  Juli Soler and Albert Adrià .

“The Search For A Style” room with a restaurant table where an elBulli 40-dish menu is projected (photo courtesy of Palau Robert, Barcelona).

One of the highlights is the “The Search For A Style” room where visitors can see a recreation of the atmosphere of the restaurant’s dining room through an audiovisual with props (table and chairs from elBulli): images of an elBulli 40-dish tasting menu are projected onto the table from overhead, allowing visitors to at least visually witness the dining experience. And in general there is great emphasis on how elBulli’s innovative contribution to avant-garde cuisine is the sixth sense: sparking a response in diners, which is expressed in the form of gestures and emotions of surprise, questioning, recollection, desire and happiness. Ferran Adrià­  creates neither dishes nor recipes, but rather concepts and techniques that he can subsequently apply to countless elaborations, as is explained in the section “Moment 0″ of the exhibition.

One of the more quirky exhibits: a signed Matt Groening caricature of Adrià­ (with a scribbled Bart Simpson looking over his shoulder).

His technical-conceptual approach to cooking and creating requires a whole team devoted exclusively to creation in an ideal space, and to immense subsequent cataloging; among the exhibits are drawings of dishes done by Ferran Adrià­; a display of metal tableware elements used for serving, custom-made silicone molds, objects and utensils used in the cooking process, an array of plasticine dishes used to demonstrate the ideal food layout on a plate, and of course countless cookbooks and notebooks.

“The Time of Major Change” – A recreation of elBulli’s kitchen through projections in triptych form (photo courtesy of Palau Robert, Barcelona).

Plasticine ingredients used to demonstrate the ideal layout of a dish (photo courtesy of Palau Robert, Barcelona).

The exhibition will be presented in New York in 2013 and will then travel to London. It will also become the seed or basis for the future Centre-Museum devoted to Ferran Adrià­ and elBulli in Roses. The aim of these and other initiatives that may subsequently arise is to project the image of Catalonia to the world –showing it as a modern, innovative country – and to position it as a leader and point of reference on the global stage of gastronomy thanks to the enormous amount of research that was carried out at elBullirestaurant and will continue to be carried out at elBullifoundation. The exhibition also deems that Catalonia should officially ask UNESCO to designate Catalan gastronomy as Intangible Cultural Heritage of Humanity, as it did with the castellers (people erecting Human Towers).

The beginning: a bronze statue of the “Bulli” bulldog that gave the restaurant its name.

While it is possible to venture out to Cala Montjoi and the site where elBulli the restaurant is being transformed into elBulli the foundation, you’ll have to head to Barcelona to experience the food: the Adrià­ brothers run both the tapas bar Tickets on Avinguda Paral ·lel 164 and an avant-garde place next door called 41 ° (41 Grados). Just like at elBulli, getting in is difficult: 41 Grados only takes reservations online and only for an even number of diners, thus keeping out solo critics. They serve “one experience” of 41 mini-courses to a total of 16 people per night. But there is more: Ferran and Albert Adrià­ are setting up a Mexican restaurant (their first of a different cuisine) and plan on opening a Japanese-influenced Nikkei place, both also in Barcelona. Who knows what’s next? It will remain interesting to watch the Adrià­s.

Ferran Adrià­   and elBulli. Risk, Freedom and Creativity exhibition
The Palau Robert Catalan Information Centre
Passeig de Grà­cia, 107 08008 Barcelona [MAP]
(+34) 93 238 80 91 / 92 / 93
Open Monday to Saturday 10am to 8pm. Sunday 10am to 2.30pm. Admission free.

Thanks to the Palau Robert for the pictures and press material.
Get in touch with the author @flachrattenmann.

08/29/12 2:08pm

Barcelona has a reputation as a party town and no wonder. A city on the sea boasting sunshine during the day and warm breezes at night? It’s a place made for getting down. I had the great fortune of attending one of the city’s biggest celebrations. It’s pronounced differently in Catalan, but the ‘Festa Major de Grà­  cia’ is indeed a major fiesta.

As is annual tradition each August, the normally quiet streets of this quaint neighborhood tucked towards Barcelona’s hills transformed into a pulsing outdoor party. Every barrio in the city has its own mass block party, but Grà­  cia’s has become the largest and loudest by far. It’s estimated that a million and a half visitors flock to its many plazas and small streets for the festivities.

What exactly is involved in a week-long party? During the 196th edition of the Festa Major de Grà­  cia, which ran from August 15-21, I stayed in an apartment in the center of the action. I saw the answer up close.

Beautifully decorated streets (Carrer Joan Blanques).

Correfocs, literally ‘fire-runs,’ where people dressed as devils set off fireworks in the crowds.

People shooting really loud rifles.

This man agrees the guns are too loud. Notice the ‘caps grossos’ (big heads) behind, another typical feature in parades.

I didn’t snag a photo of the castellars (human towers), but these are also an amazing sight to see.

What I loved most about the Festa Major, however, was the creativity of the community. Each year there’s a competition that crowns victor the best decorated street. Because I was living in the neighborhood, I saw the residents preparing their creations for days beforehand.

Carrer Verdi ended up taking top prize with its Western-themed fort and saloon.

Carrer Verdi, the 2012 Victor.

My personal favorites (aside from my close neighbor Joan Blanques) were a rectangle of streets located in lower Grà­  cia, a trio of which toted idealistic names (Progrés, Libertat, Fraternitat). Here seemed the perfect blend of craft, humor, whimsy, and innovation.

Carrer de la Fraternitat.

Carrer del Progrés, aka Star Wars street.

Carrer de la Tordera.

Carrer de la Libertat, aka the Sewing Street.

Look closely at the dresses on the “sewing street.” They’re made of coffee capsules, soda can tops, and other ordinary items. There’s even a wedding dress made of toilet paper. So creative!

And, of course, there was much drinking, dancing, and carousing in the streets. Once the Festa Major de Grà­  cia was geared only toward residents, but the secret got out and now the whole city shows up. Lots of tourists, too. The crowds create a buzzing atmosphere, but I wondered at times if Grà­  cia ever wanted its own party back.

Rock band on Carrer Pugimarti.

Resident or visitor, the Festa Major will sweep you up in revelry. There was a diverse array of music – from rock to swing to ska to traditional Catalan tunes – but I ran across very few stunning acts. The majority of the groups I stumbled upon sang cover songs. Of course, at midnight, with beer or sangria or mojito in hand, most people were more than pleased to belt out some Aerosmith and Joan Jett (true story!). Heck, I was, too.

If you’re in Barcelona in August, definitely put the Festa Major de Grà­  cia on your agenda. If you decide to book a hotel in the neighborhood, just be forewarned: you won’t sleep for a week.

Get in touch with the author @parisimperfect. Follow her blog and visit her website.