Glenn Kaino, Bridge at DC Navy Yard
There’s an uneasy tension in Washington D.C. that you can feel palpably on the streets. More than just new buildings going up and cranes dotting the skyline, architecture (or perhaps the uniformity of it) has been a strong signal of the type of change that is en route. As gentrification begins to reach neighborhoods that were thought beyond the reaches of such socioeconomic change, residents are getting nervous.
In many ways, the 5×5 Project in Washington D.C., a 3 1/2 month temporary public art project, highlights this tension and explores it. 5 curators each worked with 5 artists to produce site-specific work in all eight wards of Washington D.C. While the DC Commission on the Arts and Humanities sponsored the project, the artists selected their own sites. As such, the locations are ones that the artists themselves responded to in their immersion into Washington D.C., and some of the works clearly reflect the psyche of what is currently happening in D.C. Washington D.C. has clearly supported large-scale public works art part of their ongoing heritage, enabling the artists to install creative works nearly anywhere, including a kinetic sculpture of a hat blowing in the wind that happens just every Wednesday at noon on a street near Federal Center.
We all know the famous 1811 Commissioner’s Plan for New York City that laid out the grid system of Manhattan (fairly close to how it is today). There are various scanned versions online and different evolutions of the plan over time, but the original map of 1807 that was submitted to Congress in 1811 is still on file at the Library of Congress in Washington D.C. In honor of the 350th Anniversary of New York City on Monday, we spent the city’s birthday in the Library of Congress examining the original map. First thing to note: that map is HUGE! Here were some of our fun map finds: (more…)
Image Source: Regional Plan Association’s Second Regional Plan
With public consciousness of cities at an all-time high, planning and design projects have been commanding the imaginations of urbanities in ways unforeseen. On the positive end, more governing bodies and planning agencies are placing higher value on public awareness, information dissemination, and “ground-up” development. There’s certainly a long way to go, even in cities like New York City, but below are 10 of some of the more innovative and impactful projects going on across the United States right now. Though some have captured the imagination and support of masses while others hang in limbo, all will affect the lives of many in their wake.
The enclosed train that runs between Dirksen and Hart. Image via Below the Capitol.
It’s obvious that urbanists have a fascination with the subterranean, whether of the macabre nature like the catacombs of the world, or of the abandoned, or simply being able to eat and drink below the city surface. Sometimes though, we fail to think of underground fascinations of the more mundane kind.
While the freemasons certainly played a role in the construction of Washington D.C., the persisting rumor that the street grid and other buildings are embedded with masonic code is likely myth. Nonetheless, it doesn’t feel surprising that networks of underground tunnels (and even a subway just for those on Capitol Hill) were built beneath the city. More unique than the existence of the tunnels is how they’re programmed. In Washington D.C., they’re like underground cities, with all the things you would need from the outside world, moved indoors. Hallways become streets, marked by the newspaper boxes you would normally find at your corner.
Here’s a roundup of some of the notable underground corridors beneath Capitol Hill:
The 1964 World’s Fair Ruins in Flushing Meadows-Corona Park
Here’s what the Untapped staff has been reading across the ‘net today:
Alex Chinneck’s installation in Cliftonville features a house with a sliding façade. Photo via Dezeen.
Here’s a roundup of what the Untapped staff is reading this week:
Visit the seaside neighborhood of Cliftonville––a coastal area in the town of Margate, England––and you’ll quickly stumble on a surrealist surprise. Amid a row of ordinary private residences on Godwin Road, there’s one house whose façade literally droops to the street. The house, once a dilapidated, weed-ridden shell earmarked for social, is actually an installation by artist Alex Chinneck, despite his signature lack of signs, plaques, or other indications on the art itself. Despite a year of attempting to secure the rights to use the building, the installation itself only took six weeks––and it is remarkably convincing.