The Pandemic Gallery in Brooklyn presented the opening of UK street artist Sweet Toof’s second NYC solo show Derailed this past weekend. If you happen to journey around Bushwick or look out the windows of an elevated J Train; you would be hard pressed not to notice the bright pink gums, with bright white teeth, on Brooklyn’s streets and rooftops. Sweet Toof’s colorful cartoon iconography filled the large gallery, with a colossal mixture of works that included oil paintings, graffiti murals, sculpture and performance art.
Lois Lane, via Google Maps
There’s no Clark Kent nearby, but there is a Lois Lane in New York City. That is, there’s a lane named Lois, on Staten Island. In 2005, the New York Times dug into this fun occurrence, uncovering that it was named by developer Richard Nicotra for his wife, Lois. As Nicotra recounts, “My wife is named Lois, and I own the street, and I am no Superman, but she is my Lois Lane.” He renamed the street in about 2005, after purchasing the land in Bloomfield which as formerly a horse farm. Today, there’s a Hilton Garden Inn, the offices of Nicotra’s company, The Nicotra Group, a Pearson VUE location and the Kiddie Academy of Staten Island along this road. No office for The Daily Planet in sight, however.
New York City’s prison population is the lowest it has been in 10 years–10,923 inmates as of September 2014. But still, an ongoing question for the NYC Department of Corrections is where to house the inmates in a city as dense as New York. It might be surprising to some that the city’s prisons are generally, right among us–some look just like the apartment buildings next door except for some barbed wire windows. Prisons used to be organized along district lines, particularly before the 1898 consolidation of the five boroughs. They were attached to or near the courts and were little more than holding cells.
Here below are 15 of NYC’s former prisons, many which are still standing:
Image via Flickr by Clemens v. Vogelsang
Here’s what the Untapped staff is reading in the HQ today:
Today’s most popular reads:
German U-Boat in Central Park. Image via Library of Congress
In the Spring of 1915, a German U-Boat (U C-5) was captured off of the east coast of England. It was then placed on exhibition on the Thames in London. In October 1917, the submarine was transported in sections to the United States, where it ended up in Central Park. The sections were transferred from “freight ship to lighters which were brought to a pier at 131st Street. Here, a powerful wrecking crane transferred these sections to heavy horse-drawn trucks. It took forty-two big draught horses to haul the heaviest section from the pier to the park.” According to The New York Times, the submarine was transferred to “the sheep pasture” (now Sheep Meadow) in Central Park via a parade that passed through Manhattan Street to 125th Street, to Seventh Avenue, to 110th Street, to Central Park Wast, to the Sixty-sixth Street entrance to Central Park.”
The Park Avenue Armory, known for their larger-than-life art installations has put together a blend of architecture and music that is sure to delight even those who think they’ve seen it all. It began in a restaurant in Paris when the Armory’s artistic director, Alex Poots introduced the Scottish conceptual artist Douglas Gordon to the French pianist Helene Grimaud. It was in the sharing of their thoughts that this installation Tears Become….Streams Become was born that has literally flooded the Park Avenue Armory.