Here are our picks for the Best of the Untapped Cities Photo Pool: Water Water Everywhere. Remember, to have one of your photos entered in the running for a “Best Of” nod, just hastag your Instagram or Twitter urban exploration pictures #untappedcities. Keep an eye on what contributors and readers are checking out by browsing the live feed.
It was with great sadness that Harlem watched as its famed Lenox Lounge got shuttered on December 31, 2012. The property located at 288 Lenox Avenue has been closed since then, stripped of its iconic interior and art deco doors and padlocked. It has been waiting to undergo a transformation by a new tenant hoping to breath life back into a space where Miles Davis and John Coltrane played, Billie Holiday sang, and the likes of James Baldwin and Langston Hughes graced those tables during the Harlem Renaissance. This week we finally saw some activity and we were fortunate enough to be able to take a peek.
In March, we posted the first Judgmental Map of NYC by Joe Larson. Though hilarious, his colorful comments were mostly located to Manhattan, which Untapped reader Ivan also pointed out in the comments “Hey look at that someone who thinks NYC doesn’t extend past Manhattan how cute.” As if responding to that cue, Larson released an all new judgmental map this week.
Walking around New York City by day, it’s easy to pass by the many historic parks and buildings without a second glance. Nighttime is a little scarier in lower Manhattan, however, with so much eventful–and often grisly–history in the area. We took a little tour of the city’s haunted haunts with Boroughs of the Dead and came away thoroughly spooked. Check out the city’s haunted past in this week’s featured Foursquare list.
Museum patrons working on the Draftsmen’s Congress
Upon entering the Pawel Althamer: The Neighbors exhibit at the New Museum a mural of paint surrounds you as artists work. They are clad in once white smocks, now vibrant messes of color. But these are no ordinary artists, as hints are lain by the inviting paint cans with brushes spewed in the center. The artists are museum patrons, with the museum visitors applying layer upon layer of paint forming a vast vibrant mural of seamless chaotic color. A vast array of small designs–many half covered–are discernible, from targets to faces to lettering. “FOOL” is written boldly across the top of a chair, while “OLLIE” adorns a wall.