Ceiling decoration, 1966. Image via The Library of Congress
Most would find it surprising that The Metropolitan Opera Management sued to have their own opera house razed but that is exactly what happened in the mid-1960s. The Metropolitan Opera Association already had plans to relocate to Lincoln Center and they feared the competition that might arise if a new opera company took over the existing Metropolitan Opera House.
Part of the reason the association wanted to relocate was because of the opera house’s plain, and what some called ugly, exterior. The opera house, done in the Italian Renaissance style, was even dubbed a “third-rate warehouse.” What the exterior did not hint of was the building’s lavish interior. The group of wealthy New Yorkers designed the inside to be more extravagant than the competition, the Academy of Music.
The Rose Center’s great cube is made of water white glass, which lacks the usual greenish tint.
Architect James Polshek has written his memoir, Build/Memory (Monacelli Press), with all the substance, drive, and élan that made him famous in the first place. His buildings aren’t just structures standing quietly, waiting for something to happen. Instead, they live vigorously in their neighborhoods, engaging with their surroundings and landscape, changing with the light, evolving with the seasons. While you may not have heard of his name yet, you’ll definitely recognize some of his buildings, like the Brooklyn Museum and the Rose Center for Earth & Space at the American Museum of Natural History. Here are some of his favorites—and ours. (more…)
There aren’t many buildings left in New York like The Prince George that have maintained their luxurious historical roots once financial woes or disrepair became overwhelming. While many of these former architectural wonders have been reduced to faded and forgotten photographs or grainy film stock, some spaces are so sacred and awe-inspiring that outside organizations will do everything in their power to return them to their former brilliance. (more…)
From the recently demolished Pan Am Terminal at JFK to the current fight to save the storied Rizzoli Bookstore in Midtown, struggles for preservation continue to wage on in New York City. Often a fight for landmark status, these battles pit developers against historians and preservationists to save sights important to the city’s history.
Curbed NY recently published a map of the 10 current most intense struggles for preservation in NYC, including many we have covered. These range from the struggle to save the Picasso Tapestry in the Four Seasons to the recent discussion by city’s Park Department on the state of the World Pavilion from the ’64 World’s Fair in Flushing Meadows. Also included are the Apthorp on the Upper West Side and Central Park. (more…)
After it was announced last week that Picasso’s tapestry, “Le Tricorne,” was going to be evicted from its home at the Four Seasons Restaurant, we decided to take a trip to see it. “Le Tricorne,” has resided at the Four Seasons Restaurant since 1959. The tapestry is owned by the New York Landmarks Conservancy and was not included as part of the interior landmark designation received by the restaurant.
After nearly 30 years at its current location, Rizzoli is threatened with eviction once again. The Rizzoli Publishing House, which was originally established in 1929 and is affiliated with Italy’s Corriere della Sera newspaper, came to New York City in 1964. Rizzoli’s first New York bookstore was located on Fifth Avenue adjacent to the building that now houses Henri Bendel and a tower that’s home to hedge funds and investment firms. At the time, Fifth Avenue was home to several important bookstores, including Scribner’s and Doubleday. (more…)