01/31/13 12:48pm
What do men with conjoined beards, jars of pickled vegetable, houses blooming out of flowers, a superhero-like beluga whale, and pair of coffee-loving mermaids have in common? They are all the whimsical artwork of Portland-based illustrator Brooke Weeber, the creator of The Little Canoe. According to the artist’s website she began drawing at an early age and pursued her passion for drawing at high school and in college; she received her BFA in painting at the University of Oregon. She traded her Northwest roots for New York City, where she pursued her other passion of professional baking. After some time she began to miss her Douglas fir trees and wished for more elbow room to draw so she packed her bags and headed for Portland in 2009.

The Little Canoe - Brooke Weeber illustration

Untapped: Where did the name Little Canoe come from?
Weeber: The name Little Canoe came from my own love of oceans and rivers and all things nautical. I also felt that the canoe was a good metaphor for me and my journey in life, rowing swiftly from one phase to the next, never knowing what kinds of rough waters I might encounter along the way, always knowing that there will be smooth sailing ahead and the views will make it all worth it.

Untapped: What is the process behind each of your pieces of work?
Weeber: I don’t often enter an art piece knowing what the end result will be, unless it’s contract work. Most of the time it starts with a small idea or inspiration. Then I’ll do some research, look at pictures, write down some notes, and then get started. I like the paintings to work in an organic way, so if I need to veer from the original plan, I will. The end product is always something more emotionally driven and meaningful that way, which is often more appealing to the audience.

The Little Canoe - Brooke Weeber illustration

Untapped: Where does most of your art-making get done?
Weeber: I have a studio space that I share with another artist in the SE Industrial part of Portland. It’s a big open space with large windows that let in a lot of natural light. I have enough room to store all of my product stock with room to grow. It’s a very inspiring building with other talented artists and makers that help to motivate and encourage me.

Untapped: Where do you find the most inspiration for your work?
Weeber: I find inspiration in the world I surround myself with. This could refer to the mountains and trees that populate the beautiful Pacific Northwest, it could be the art community that I’ve found myself in, or it could be a song, a movie or a picture that I find online or in my travels. It also comes greatly from life experience. I allow myself to respond to what I’m feeling through my artwork, so there’s often a little bit of myself in each piece.

The Little Canoe - Brooke Weeber illustration

Untapped: What do you love about what you do?
Weeber: There are so many things that I love about what I do! The freedom to make my own schedule, the ability to be totally self sustaining, my complete independence. I love being creative, coming up with ideas and following through with them until completion. I love the limitless possibilities that I have with my artwork, and I love the wonderful response I get from my customers, clients, and the general public. It’s so rewarding to do what you love only to find out that other people love it, too. There’s no other feeling like it.

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Untapped: What do you do when you are not working?
Weeber: When I’m not working, which isn’t all that often, I like to explore the outdoors. This could mean traveling to another state, or simply taking advantage of Oregon’s terrain. I love hiking, swimming in rivers, walking on hilltops, biking country roads and snowshoeing icy landscapes. Then I top it off with some cold local beer!

Little Canoe

Untapped: What new things can we expect to see from you in the future?
Weeber: I expect people to start seeing Little Canoe more and more in their favorite shops and online. I’ll be doing lots of big projects this year as well as growing my inventory and product line. And if I’m really lucky, a children’s book will be finished up this year.

Expect to see more of Brooke and the Little Canoe in 2013! You can find more of her illustrations on her website and in her shops on Society 6 and on Etsy. Get in touch with the author @alicperez.
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01/24/13 1:05pm

Pat Davis illustrates the How To of Austin food service quirky headwear

Something I’ve learned in my short span working in Austin food service is that quirky headwear is important – appearance matters! A large chunk of restaurants throughout the city don’t consider this bohemian style of dress to be the image they want to portray, but more and more are coming around to it. If you want to survive and earn more tips and respect in the service industry, I’ll give you some ground knowledge that applies to new restaurants, food trailers, and bars springing up. Some advice found here will seem practical, some not.

First tip: Wear quirky headwear that shouldn’t be worn indoors. Possibly to obscure the greasy shellac of your mullet, possibly to strut your true colors as an Austinite early on to avoid getting torn apart by other staff members, possibly to dissent from normality and flaunt your free spirit; don an absurd piece of quirky headwear. It doesn’t generally get below 40 here and there’s central heating, so I know you don’t need a winter hat. Tips will roll in by the bushel, but remember: if you receive compliments just cock your head, groan, and say “you wouldn’t understand.”

To read more about Austin, checkout Untapped Cities’ recent Austin Spotlight. For more of the artist’s work, check out Pat Davis’ Illustration.

01/10/13 2:52pm

staches_inside

If you are male and moving to Austin, remember to pack a mustache comb, some wax, and a lot of confidence. Bike knowledge, level of taco addiction, and density of sleeve tattoos all factor into overall coolness, but none more so than facial hair pride. If you can’t seem to cultivate luscious locks and easily sculpt them into dueling cyclones, go weird. Have conviction about that nearly invisible blonde grit stash because here, nothing determines social acceptability more than the sparkle in your eye that affirms, “I was born to have facial hair and share it with the world.”

Once you’ve embraced your itchy push broom, it is only a matter of time before the stash gets a name and possibly a spot on that sleeve you couldn’t quite afford to finish. The years spent grooming and growing only add to your popularity as you surpass a Mr. Pringles level of thickness and ascend Austin’s invisible ladder. Due to the hoards arriving daily, the longer someone’s been in Austin, the cooler people think they are. Living on top feels magical, but unfortunately this young transient city won’t admire you forever. So go out somewhere classy for a tenth Beardaversary, prepared to bid that decade long love affair farewell. Either that or watch it slowly evolve into a hairy security blanket that won’t fetch any free PBRs that aren’t already empty.

To discover work of this artist’s work, visit Jackie Evangelisti Art. And, for more on Austin, check out Untapped Cities’ Austin Spotlight.

10/12/12 2:15pm

Like many modern North-american cities, Montreal has a neighborhood that still holds as a reminder of times past.

After its heyday in the 18th and 19th centuries, what is now known as Old Montreal, was left to practical abandon for years. Numerous buildings fell victim to the will of real estate promoters and were replaced by concrete structures. In order to stop the massacre, urban planners, architects and historians came together to protect what was left.  Nowadays the old buildings are being renovated into restaurants, hotels, art galleries and designer shops – some of these being among the best the city has to offer.

Very popular with tourists, Old Montreal is often avoided by Montrealers, many of whom come here only once or twice a year. They tend to forget that this attractive neighborhood holds many interesting things to discover. Starting at metro Champ-de-Mars and walking towards metro Square Victoria, here are some places that often get overlooked by people visiting this charming district.

Bonsecours-market_Montreal_Untapped-Cities_Léa-Plourde-Archer

Built in a Neoclassical style, the Marché Bonsecours and its shiny dome have become ubiquitous with the image of Old Montreal. The indoor part is often overlooked. Inside, shops sell locally made products: clothes, jewelry, artisan goods. The market also hosts interesting art exhibits, fashion events and gastronomical fairs.

Though its grounds are not accessible to the public, the St Sulpice seminary is worth the quick look, it being the oldest still-standing building in the city. It is a peaceful spot to set sight upon, especially after visiting tourist hot-spot Notre-Dame Basilica that is located next door.

Former factories and shops have proven to be great spots to open art galleries. Art dealers and artist co-ops have invested in these formerly abandoned buildings, finding them to be ideal because of their tall walls and beautiful architectural details. The following are particularly interesting to visit:

Galerie le Royer, which behind its imposing arched facade, focuses on presenting the work of artists with a strikingly profound, often powerful approach.

Darling Foundry is a contemporary art production  center and exhibition space  housed in what was previously an industrial part of the city.

Many of Montreal’s high end boutiques are to be found in Old Montreal. It is, in a sense, a throwback to the neighborhood’s former stand as shopping haven to the local bourgeoisie. Even for those with empty wallets, these stores can be interesting to visit as the clothes are often creatively displayed.

Though Montreal’s fashion scene is rather small, designers like  Denis Gagnon  have managed to make their mark in the international arena. His bold works, worthy of an art museum, can be observed in his namesake shop on St-Paul Street.

Old Montreal is also home to lots of  whimsical  shops like Noel Éternel, the year-round Christmas ornament store, or the above-pictured Joseph-Ponton costume shop (in business since 1865!)

Their names are often mixed up but they are two different entities: Old Montreal and the Old Port are split by a single train track which can be easily crossed to reach the other side. People who visit the Old Port often stick to the (interesting) science museum and the front edge of the marina. If you venture further, towards the end of each pier, you are treated to some of the best views of Old Montreal and the St-Lawrence River,  whilst beating the crowds.

During the summer, outdoor concerts are held at the Jacques-Cartier Pier. Over the last few years, international artists like Muse, Sigur Ros and Portishead have played here. In good temperature, the atmosphere created can be absolutely magical as you witness the sun setting upon the city, whilst the water and wind create surprisingly good sound conditions.

In the 19th century, Saint-Jacques street was the financial core of the city and many banks built their head offices here. This explains the ornate, often opulent architecture that dominates here more than anywhere else in the city. Today, most banks have moved to bigger, more central digs. Restaurants, offices and renowned luxury hotels like the St-James have taken their place. It makes for an interesting stroll for architecture fans.

Another one of those hotels sticks out because of the artworks displayed right in front of its Second Empire facade. Owned by a renowned art collector, L’Hotel‘s main entrance stands between the works of world renowned artists like Robert Indiana and Fernando Botero.

Montreal’s Centre de commerce mondial (World trade center) is home to many interesting works of art, displayed in its attractive glass enclosed public promenade. Most unexpectedly, it is also here that you can find a fragment of the Berlin wall, on display much like a sculpture or public art installation.Street in Old Montreal_Montreal_Untapped Cities_Léa Plourde-Archer

Old Montreal is and always will be a tourist oriented district, with all the good and the bad aspects that this can entail. However, it is worth spending time here. Those cute but busy main streets are made to be ventured off of. In the midst, part of the fun is getting lost in the streets that intersect, appearing and disappearing to form a lovely maze.

This article is part of an on-going series on Montreal.

06/27/12 12:25pm

I grew up in landlocked Colorado, thousands of miles from the nearest ocean, where seagulls were weirdly common. I thought there was something majestic and coastal about them. It turns out that they weren’t drawn to the Platte River, but to the wrappers and smooshed food bits they could find in dumpsters and parking lots.

Here in San Francisco, we see seagulls in their natural habitat at China Beach or the Albany Bulb, but again, those darn birds have a taste for grit, and they’re also drawn in droves to the San Francisco dump, on the southeastern edge of the city. It’s a problem, and the folks at Recology San Francisco have found a solution.

The gulls love the organic waste at the dump, rich as it is with food scraps from San Francisco’s restaurants and residents, as well as leftovers from the fish markets. Gulls are scavengers, they’ll eat fish bits, amphibians and worms, but they really shouldn’t be eating chicken bones or pizza crusts or pad thai. Feasting dump gulls are also messy, picking up bits of plastic and other trash, spreading it around in nearby neighborhoods, feeding it to their chicks, and dropping it into the San Francisco Bay waters.

However, Indigo Redondo, a licensed falconer, and his small flock of raptors are working diligently to make the dump a less appealing place for the gulls. By taking advantage of the gulls’ hard-wired fears of the birds of prey, Recology San Francisco is able to minimize the problems the gulls can cause without causing actual harm to the gulls or other birds in the area.

Rosemarie the Saker FalconRosemarie, a Saker falcon, hard at work.

Redondo has five trained birds that he brings to the site on a rotating basis: a Peregrine falcon named Cleo; a Harris hawk named Nina; a Saker falcon named Rosemarie; and two new birds, another Harris and another baby Saker, Maya, who is still being trained. The birds are all captive bred by state-licensed breeders, and only licensed falconers like Redondo can keep them. (All birds of prey are protected species, you can’t just grab one out of the wild and tame it.)

The raptors’ natural instinct is to hunt, so to protect the safety of gulls and other birds, Redondo keeps them well fed and carefully tracks their weight. Since they’re not hungry, they’re not actually hunting the gulls. Instead they fly around the facility a bit, take in the view from the tops of buildings and return to Redondo for treats. But to the gulls, the raptors are flashing danger signs, and the presence of the raptors is enough of a deterrent to keep the gulls away. The idea is similar to graphic health warnings on the sides of a cigarette carton, calorie information at a fast food restaurant, or guard dogs with a scary bark but no bite.

Redondo also has a border collie, Raine. Raine is a registered service dog who started her career as an airport bird control specialist, chasing birds off of runways. Now she hazes seagulls that are idling on the ground at the dump, trying to keep them from settling in.

Falconry is a post-retirement job for Redondo, and he says he works more than he ever did in his career at FedEx. The program is technically bird control or bird abatement; it’s not falconry because Redondo’s birds are not used for hunting. Similar programs are also in effect at the Pebble Beach golf course, Travis Air Force Base, and this year’s French Open.

Redondo conferring with RosemarieRedondo conferring with Rosemarie as she flexes her wings.

It is enormously effective as seen on the one day a week Redondo has off. On those days the droves of gulls return. “There’s such a large food source, when they see I’m not around, they see there is no threat”¦. It’s been going on for generations. We humans have created an easy place for them to eat.” 

Before Redondo and his flock arrived, Recology would block off the trash processing area using hanging strips of plastic, and spray grape extract onto the trash, creating a taste that’s foul to gulls. But neither was as effective as the raptors, especially since the grape extract was constantly being buried as the trash was moved around. “This is an eco, green approach to bird control,”  Redondo concludes. “We’re not here to do harm to anything, we’re just keeping the birds uncomfortable.” 

Seagulls at the San Francisco Dump. Only the bravest remain.

I still think seagulls are pretty birds, even knowing they can be a nuisance. The fact that they have instinctual fears of raptors like Rosemarie is heartening as well. We have created these huge, unnatural food sources, and we have lured them all the way to Colorado, but there is still a bit of wild animal lurking in their little bird brains.

See previous Untapped Cities coverage of Recology SF.

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