rko-keiths-theater-queens-nyc-untapped citiesImage from After The Final Curtain

Welcome back to After the Final Curtain, featuring the photography and writing of Matt Lambros who documents the neglect of America’s greatest theaters in his website  afterthefinalcurtain.net

The RKO Keith’s Theater, originally called the Keith-Albee Theatre, opened Christmas Day, 1928 at 1:00 PM.  Located in Flushing, Queens, it was designed by Thomas W. Lamb, an architect known for his theater designs, which can also be seen in New York’s Ziegfeld Theatre and Proctor’s 58th Street (which was built simultaneously with the Keith’s).

detail-rko-keiths-theater-queens-nyc-untapped cities

staircase-rko-keiths-theater-queens-nyc-untapped cities

The first movie shown in the theater was “Three Week Ends,” a silent film starring one of the true embodiments of the roaring twenties, Clara Bow. The theater was operated by the  Keith-Albee-Orpheum Corporation until 1929 when it was acquired by the Radio Corporation of America to form RKO Pictures. The Keith-Albee was then renamed RKO Keith’s Theatre.

lobby-rko-keiths-theater-queens-nyc-untapped cities

The Keith’s was designed in the  Spanish Baroque Revival style and had 2974 seats. The ceiling was painted a deep blue so that clouds seemed to move across the ceiling, making it look like clouds floating across the night sky. The cloud effect came from projectors on either side of the balcony, which broke in the theater’s later years.   Lamb designed other theaters with the same atmospheric effect, including the Loew’s Pitkin and Proctor’s 58th Street.

In the center of the oval-shaped lobby was a fountain with a centerpiece featuring a statue of Cupid surrounded by several dolphins and stocked live goldfish. It was moved before the theater closed and is rumored to be in either an East Village restaurant or a dentist’s office in New Jersey.

The lobby of the Keiths was given landmark status in 1984. The building was sold in 1986 to developer  Tommy Huang, who closed the theater a few months later. Shortly after Huang announced the theater would be torn down to make way for a mall. The Flushing community was outraged and people protested in front of the theater. Huang started work on the theater’s lobby disregarding it’s landmark status, and stripped it to prepare for renovations.

The city stopped demolition  in  February  1987  — since then,  the Keith’s has  been  in a state of disrepair.    A  plan was  recently  approved that  proposes to tear down  the auditorium  and replace  it with  a 17-story tower  that houses  357 apartments, a senior center and retail space.    Of the original architecture, only the lobby and ticket booth will be saved.

Follow Untapped Cities on Twitter and Facebook. Get in touch with the author @mattlambros.