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Jefferson Hayman’s Film Noir NYC Photographs Use 19th Century Technique

Jefferson Hayman’s Film Noir NYC Photographs Use 19th Century Technique
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Photo by Jefferson Hayman ©21st Editions

These old Manhattan photos look like they were shot 120 years ago – but amazingly they were created in the present day. Taken by artist Jefferson Hayman, the shots are reminiscent of the work of ground-breaking 19th century photographers Coburn, Steichen, and Stieglitz.

The black and white prints, which are handcrafted in silver gelatin and platinum, hark back to a film noir world of rain, trench coats, and cigarettes. Hayman reinforces this appearance of age through his use of antique or self-designed frames, which act as time capsules through which the viewer can step into the world of the photographs.

Jefferson Hayman- silver gelatin and platinum-photography-NYC-003Central Park in Winter. Photo by Jefferson Hayman ©21st Editions

Hayman, who lives and works in the small town of Tappan, New York, has his work in many private and public collections, most notably former those of former President Bill Clinton, Robert DeNiro, Ralph Lauren, The Museum of Modern Art and The New York Public Library.

He says that his lifelong research into the art of photography has influenced his style:  “Whether I was studying drawing, painting or photography, I was always looking backwards to learn the skills that I needed to apply and interpret to a contemporary point of view.”

Jefferson Hayman- silver gelatin and platinum-photography-NYC-004Coney Island Boardwalk. Photo by Jefferson Hayman ©21st Editions

Hayman captures a New York that is deeply personal, and at times it appears that he is the only man on the streets. However, in his dreamy city, the street is not the focus. Instead we are directed to the ideas of what New York City was, what it is today and what it will continue to be.

As the artist was growing up in rural Pennsylvania, he found New York inspiring as a ‘far away, dreamlike place’. “For a bored young artist it seemed almost too perfect and I left to make the city my home immediately after I finished with college,” he says. “It became my graduate school and my life. I am still learning from it.”

Now Hayman’s beautiful images have been collected in a limited-edition book called The New City which pairs them with MacLean Gander’s epic poem of the same name.

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Brooklyn Bridge. Photo by Jefferson Hayman ©21st Editions

John Wood, Editor of publishers 21st Editions, says: “Hayman’s images and Gander’s words are a perfect pairing, not that the photographs illustrate the poems or that the poems describe the pictures.

“In fact, neither of these artists knew each other prior to this book, but they both create a sensuous, beautiful, yet realistic and contemporary meditation on New York and on the larger American experience that New York suggests.

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Central Park in Winter. Photo by Jefferson Hayman ©21st Editions

“Jefferson Hayman and MacLean Gander may at this point not be as well-known as other contemporary photographers and poets, but that is not to say that they are not the equal of any of them.

“When I first saw Hayman’s photographs and first read Gander’s poetry, I was instantly struck by both artists’ brilliance. They had that rare gift of authentic vision, a quality seldom seen in contemporary photography and virtually never seen in contemporary poetry.”

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Frozen Central Park. Photo by Jefferson Hayman ©21st Editions

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Queensboro Bridge/Edward Koch Bridge.  Photo by Jefferson Hayman ©21st Editions

The New City is sold on at www.21steditions.com. Next, discover the oldest photographs of New York City and Paris. This article originally published on Boo York City.

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