05/31/13 9:00am

The Municipal Art Society unveiled design proposals from four celebrated New York architecture firms that took on the challenge of re-imagining  the future of Penn Station and Madison Square Garden.  Presentations by Diller Scofidio + Renfro, H3 Hardy Architecture, SHoP Architects and SOM took place yesterday morning at the Times Center and were followed by a discussion moderated by Michael Kimmelman, the architecture critic of The New York Times.

SM_MAS1 copy Michael Kimmelman from The New York Times in conversation with the architects

The goal of the competition was to stimulate collective imagination to re-invision  the area. The future of Penn Station definitely needs some consideration. It is now the busiest transit hub in the western hemisphere. It was designed for 120,000 visitors per day but is now receiving five times that number. With the ongoing development of Hudson Yards and the potential expansion of Amtrak and NJ Transit into Midtown, the traffic at Penn Station will increase even more. It is a good time to reconsider the role the place will play in ten or fifteen years. Madison Square Garden’s fifty-year special permit expired and the City Council is discussing how long the next one should last. Change in the area is not an issue of if but when.  (more…)

05/24/13 9:00am
Front entrance to the Hotel Pennsylvania.

Front entrance to the Hotel Pennsylvania.

Last month, the Hotel Pennsylvania Preservation Society finally breathed a deep sigh of relief. The historic Hotel Penn, across the street from Penn Station, has been denied landmark status several times in recent years and its owner, Vornado Realty Trust, planned to demolish it in order to build a new office complex in its place. After a five-year battle, however, Vornado gave up its plan to tear down the hotel and has launched an effort to restore the hotel to its former glory instead.  (more…)

04/01/13 10:12am

In honor of April Fool’s Day, we’ve put together a guide to NYC’s most hated building, Penn Station. Most of the negativity around Penn Station focuses on its aesthetics, its confusing signage, and the fact that it replaced a soaring piece of McKim, Mead & White architecture. But we’ve always believed that one of its strengths was that it was extremely functional. We agree with Second Avenue Subway‘s Benjamin Kabak who writes, “While Penn Station is ugly and dingy and, at best, utilitarian, the problem with the station isn’t necessarily the way it looks.”

Today’s guide is thus about the hidden “gems” in this oft-traveled yet ignored space.

1. There are subtle reminders of the now lost Penn Station

On an escalator into the Long Island Railroad waiting area, a cross section of the old Penn Station notes “YOU ARE HERE,” beneath the main rotunda:

Old Penn Station Cross Section You Are Here-2

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02/12/13 1:17pm

With all the negative press surrounding Mercedes-Benz Fashion Week this year (designers not showing, the commercialization of the experience, the questionable return on investment for labels, the over-saturation of events), off-site fashion shows can still offer a glimpse of an earlier era. They can also provide designers with greater creative license on the show environment, which can be more difficult to come by in the standardized tents at Lincoln Center. This option provides a middle-ground, with shows transforming from an industry event for buyers and media to celebrity-studded, commercial events.

Fashion Week 3.1 Phillip Lim_Moynihan Station_Penn Station

Before the 3.1 Phillip Lim Fashion Week Show inside Moynihan Station

Yesterday, we attended the 3.1 Phillip Lim show in the historic and landmarked Moynihan Station, the Post Office across from Penn Station. Although many of the shows from the tents at Fashion Week are live streaming this year, the mystique of the fashion show continues. The crowd has changed somewhat, however. Racked’s description was apt, applicable to the scene outside 3.1 Phillip Lim yesterday. Kerry Folan writes, “Personal style bloggers now mingle with industry veterans. Old-fashioned brands embrace social media. Outrageously dressed street style stars and celebrities get as much attention as designers.” Although I worked in the fashion industry for many years as a buyer for Calvin Klein and other brands (with a stint at Fashion Week in 2003), I attended the show yesterday purely because a friend is a designer for the 3.1 Phillip Lim women’s line, and because of my architectural interest in Moynihan Station.

The walkway into the show

The walkway into the show

Bloggers and photographers were snapping away at the entrance, but I didn’t recognize anybody out there except for the daughter from the show Homeland, Dana Brody, all dolled up (and looking great). My photograph was taken about a dozen times, including by InStyle. My clothes are not “hot off the runway,” but timeless pieces from French brands mixed with things from my closet circa 1996.

Photographers on the runway before the show

Photographers on the runway before the show begins

All of this cacophony was overshadowed by the space of the 3.1 Phillip Lim show itself, in the James A. Farley Post Office Building (also known as the Daniel Patrick Moynihan Station). Instead of using the classic Beaux-Arts interior, the show took place in the industrial space of the building. Factory-style skylights let in natural light, concrete columns painted over in gray supported the ceiling. The models emerged from temporary spotlights and made their way around the columns. Water was spread all over the floors to enhance the “urban” feel (to the chagrin of the shoe designers, whose shoes came back splotchy).

My fashion buyer days are over, so I won’t comment too much about the style, except that the collection looked impossibly cool and very commercial at the same time. I hoped with these photographs to capture the ethereal, digital quality of the models rising from the gray, urban landscape inside Moynihan Station, instead of focusing on the clothing itself. Let me know what you think!

Get in touch with the author @untappedmich.

10/23/12 10:11am

New York City is known for its collection of unique street art strewn across old  buildings, subway walls, and even cracked sidewalks. While these colorful murals  and graffiti art are always aesthetically engaging and forever up to personal  interpretation, it’s the small pieces of street art that have a much bigger purpose.

Artist Jan Vormann fills in cracks of buildings with Legos (Photo by Kerry Payne)

With hundreds of thousands of buildings in New York City, it’s safe to say that the upkeep of these structures can take a little while (okay, a long while) to maintain. The many cracks and holes in the sides of buildings can be eyesores to passersby and even when the city does fix them up, it doesn’t exactly produce the most exciting difference.

However, over a span of two weeks back in March of 2010, German artist,  Jan Vormann, along with a band of volunteers, swept through New York and filled in some of these crevices with a classic childhood toy — Legos. The whimsical one above in Chelsea captured by Untapped Cities photographer Kerry Payne is one of our favorites, with the fallen pieces a reminder that even Lego interventions are only temporary.

One of the most popular Lego fixtures is in a wall at Penn Station.

Vormann’s Lego fixtures were a part of his Dispatchwork project, which aimed to seal fissures in broken walls all over the world. According to the Berlin native, he inserted the colorful Plastic Construction Bricks (PCBs) to complete the material compilation in urban constructing and to also add color to the urban greyscales. Although many of the Lego patches in NYC have been removed, there are still known fixtures in walls surrounding Bryant and Central Parks, in a post office entrance in the West Village, on the corner of 32nd  Street and Seventh Avenue, and in the wall of a fast food restaurant across from Penn Station.

USB Port Dead Drop

The term dead drop is defined as “a prearranged secret spot where one espionage agent leaves a message or material for another agent to pick up.”  While I’m not sure how many 007’s there are in New York, I can tell you that there are dead drops scattered around the city for the public to use. Back in October 2010, Aram Bartholl started inserting USB ports into the walls of buildings so that anyone could hook their laptop up to it and share whatever files are left on it. The Dead Drops project was created to be an anonymous, offline, peer-to-peer file-sharing network for strangers to communicate in a public manner

DVD Dead Drop at the Museum of Moving Image in Astoria

New York City’s dead drop spots include:

  • 87 3rd  Avenue, Brooklyn, NY (Makerbot)
  • Empire Fulton Ferry Park, Brooklyn, NY (Dumbo)
  • 235 Bowery, NY (New Museum)
  • Union Square, NY (Subway Station 14th  St)
  • 540 West 21st  Street, NY (Eyebeam)

Recently, Bartholl has added a new DVD Dead Drop at the Museum of Moving Image in Astoria. If you insert a blank DVD into the slot in the museum’s outside wall, it will burn onto it a digital art exhibition, collection of media, or other featured content curated on a monthly cycle by Bartholl or other various artists.

Pentagram introduces their new LOOK! Campaign

“Remember to look both ways before crossing the street!” was always a saying that was ingrained into our minds as little kids by our parents and teachers. However, in a fast-paced city with people constantly rushing while on their smartphones or iPods, it’s easy to disregard the golden rule of crossing the street. This is why Pentagram’s Michael Bierut worked with the New York City Department of Transportation to create the Look! campaign, which uses the simple symbol of the word “LOOK!” to remind pedestrians to be mindful of oncoming traffic before crossing the street. Bierut and his team plastered the five-character graphic on crosswalks as a signal, knowing that many people often glance down when crossing. And with 57 percent of last year’s traffic fatalities being people on foot, the pavement graphic could only help to lessen this number.


LOOK! graphic at the intersection of West End Avenue and 65th Street

The LOOK! Campaign also includes signs and posters of eyes looking each way, which have appeared on buses, subway entrances, and phone kiosks all around the city. Pentagram has even produced a poster that works off of the classic “Why did the chicken cross the road?” joke, all to remind the public that looking left and right before taking another step could save your life. You can see the LOOK! Campaign ads and graphics all around the city, including near the intersection of Second Avenue and 42nd  Street, and the intersection of West End Avenue and 65th  Street.

What are some of your favorite street art interventions in New York City and elsewhere?

Images from Google Images

Get in touch with the author @chelspineda

04/13/11 9:27am

You read that right. We took a self-guided walking tour of Newark recently and surprise! It was really nice. The city may be struggling financially, but there has been significant investment in the tourist experience, including way-finding signs to major landmarks and a light-rail system. Ironbound, the Portuguese-Brazilian neighborhood, received recent upgrades in terms of streetscape and branding. Since this is Untapped, we have theories about the connection between urban planning and the economic viability of the city and we’ll pepper this photo tour with some of that here and there. Here’s the map of the route:

1. Arrival in Newark Penn Station, designed by McKim, Mead and White in the art-deco style. You can get here by NJ Transit, PATH, Amtrak, NJ Bus and Greyhound.

2. Along Market Street are the remnants of old theater marquees and buildings with intricate facades, reminiscent of 125th Street in Harlem:

3. Outside of the historic blocks, large avenues and large commercial buildings have created superblocks. An excessive number of parking lots in the city fill the underutilized spaces in between. Park space, as you’ll see below, isn’t used either–so the major public gathering place is actually at the intersection of Market Street and Broad Street, the two main avenues of Newark. We thought there might be an event going on based on the large number of people gathered at the corner, but we quickly realized it was just a central hang out point.

This guy really wanted his photograph taken and I promised to bring back the final result of our school project mapping out Newark:

The intersection also looks a bit like Harlem or Washington Heights in terms of both architecture and tenants:

One of the main differences with New York though is the evidence of industrial activity in the central urban corridor. In downtown Newark, factory chimneys rise juxtaposed against new office buildings:

It gets less busy after you turn right on Broad Street. The architecture looks similar to Manhattan of the early 20th century:

The ground floors have been repurposed for modern commercial use, leading to interesting alterations with the neoclassical architecture. This toy store painted the lion heads on the cornice in shades of turquoise, reds and yellow:

Street side vending is popular, ranging from handbags to t-shirts to churros:

4. Military Park is a triangular-shaped park along Broad Street. Inside the park there is a massive sculpture dedicated to the Wars of America, but there was so little activity around it I didn’t even take a picture, even though it is intended as the center-piece of the park. In fact, there was nobody in the park at all.  Here is a bench commemorating a military training site in the early days of colonial America.

 

Across from Military Park is the facade of S. Klein on the Square, a defunct affordably-priced department store that was based in New York City. “On the Square” meant that the business was “honest and straight-up,” a play on its geographical locatios, whether here at the Military Park or in Union Square. This store closed in 1976 and has been vacant ever since:

On the other side of Military Park is a series of cute row houses that contain the Newark Public Radio, the New Jersey Historical Society and a bar called “Tipsy’s Lounge”:

At the northern end of the park is Trinity and St. Philip’s Cathedral, and episcopal church used as a hospital during the Revolutionary War. The original building suffered heavy damage during the war and was rebuilt in 1810. Just across the street are additional historic buildings:

5. At this point, you won’t be able to miss the enormous New Jersey Performing Arts Center (NJPAC), also accessible by light rail. The park attached to it was empty, so we went straight to the waterfront. The waterfront park is in a bad state of repair, with overturned chairs and remnants of electrical plugs from street lamps pulled out of the ground. But there is a historical panorama to check out, which shows you what Newark looked like over time.

For some reason, the park chairs face the McCarter Highway and after trying it out, I can confirm that facing away from the water is not the best orientation for waterfront park benches! From the park you can also see the New Jersey Transit Railroad Bridge:

Just nearby, there’s an FBI headquarters which I won’t display a photograph of…McCarter Highway will get you back to Newark Penn Station.  If you’re adventurous, walking along Ferry Street from the train station will take you to Ironbound, the Portuguese neighborhood:

A mural along Market Street is dedicated to the history of the Ironbound neighborhood:

Branding signs to mark the neighborhood:

The main street of the Ironbound along Ferry Street:

There were tons of Portuguese restaurants and some informal food stands:

It’s also part of the East Coast Greenway that runs from Maine to Florida!

Church at the intersection of Ferry, Merchant and Wilson streets:

and what the neighborhood looked like in 1915 (images from Andros Diner):

Aerial shot, 1955 (image also from Andros Diner):

On the way back to Penn Station, we found garbage cans also with the Ironbound banding.

Throughout the city, there are helpful way-finding signs and the walk felt completely safe, with many pedestrians in the central parts of the city:

On the way back to New York City via NJ Transit, there’s a great view of the Manhattan skyline:

Get in touch with the author @untappedmich.