In her forthcoming book The Slip: The New York City Street That Changed American Art Forever, art historian and critic Prudence Peiffer poses the question, “…what if we thought about groups in art history based instead on shared places? What if, rather than technique or style, it’s a spirit of place that defines a crucial moment?” The place she explores within the pages is Coenties Slip, a Manhattan street that was once a colonial Dutch port. In our upcoming live virtual talk with Peiffer on August 19th, she’ll reveal how this place on the east side of lower Manhattan changed the course of art history.

The artist of coenties slip
Delphine Seyrig, Duncan Youngerman, Lenore Tawney, Gerry Matthews, Ellsworth Kelly, Robert Indiana, Dolores Matthews, and Agnes Martin in Jeannette Park at Coenties Slip, New York, 1958. Photograph by Jack Youngerman. Credit: Courtesy Duncan Youngerman/Jack Youngerman Archive.

The Forgotten History of Coenties Slip

Coenties Slip

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In this talk, Prudence Peiffer will give a whirlwind history of Coenties Slip, one of the oldest streets in New York City and the unlikely home of a group of artists in the 1950s and ’60s. Those artists–Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman–were just at the beginning of their careers when they moved into illegal nineteenth-century sail-making lofts in an out-of-the-way corner of Manhattan, but their artistic breakthroughs there would go on to change art.

The Slip book cover
Cover Photograph: Delphine Seyrig, Robert Indiana, Duncan Youngerman, Ellsworth Kelly, Orange, Jack Youngerman, and Agnes Martin on the roof of 3-5 Coenties Slip, New York, 1958. Photograph by Hans Namuth. Courtesy Center for Creative Photography, University of Arizona. © 1991 Hans Namuth Estate.

Despite Coenties Slip’s obscurity, an entire history of the city was inscribed into its cobblestones: from the enslaved people who built it to the home for sailors with a lighthouse dedicated to the Titanic, from seventeenth-century Dutch settlers to Herman Melville’s Moby Dick, from ducking stools for dunking unrestrained “ladies” in the East River to Harry Houdini embarking from its pier to perform a major escape stunt, from George Washington to Khrushchev to the downtown development battles of Jane Jacobs and Robert Moses. Building on her book The Slip, just out from Harper, Peiffer will talk about the art made at the Slip from the wreckage of the city’s many former lives, and how we are shaped by our environment and how it in turn shapes our work.

The Forgotten History of Coenties Slip

Coenties Slip

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