05/16/13 3:00pm

little-syria_arab-american-museum_NYC

For years, boosters of Manhattan’s Little Italy have grappled with the realities of a shrinking footprint. Italian-Americans and their businesses have slowly been priced out of a neighborhood that has become more and more Chinatown West or Soho East, a shadow of its former immigrant robustness.  They needn’t look farther than a couple miles to the south for a cautionary tale: an ethnic neighborhood that has been wiped almost clean off the map, a roughly 6-block stretch of Washington Street once known as Little Syria. (more…)

05/13/13 9:00am

Jackie O at the hearing on St. Bartholomew's Church, Albany, 1984

Shortly after John and Jackie Kennedy moved into the White House in 1961, Jackie made it her mission to restore her new home to its former history and grandeur. The White House restoration project was more than a mere redecoration; it was an act of historic preservation, ensuring that the rooms would be protected from any drastic alterations in the future. Jackie O’s restoration project sparked a lifelong interest in historic preservation. When she moved to New York City full time, after the death of her second husband, Aristotle Onassis, she became a member of the Municipal Art Society’s board of directors. She fought to protect important city landmarks such as Grand Central Station, which faced demolition in 1975, and St. Bartholomew’s Church.

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01/21/13 11:03am

Untapped New York events the-listening

Our curated events picks for this week: Making Room: New Models for Housing New Yorkers at MCNY, The Listening fundraiser for the Rockaways, 16mm cartoon screening with The Obscura Society.

MONDAY, JANUARY 21: When World War II broke out, New York was a cosmopolitan, heavily immigrant city, whose people had real stakes in the war and strongly held opinions. Join curator Marci Reaven for a tour of the new exhibition WWII & NYC as she explains the impact of the war on the city, which played a critical role in the national war effort, and how the city was forever changed. 11am at the New York Historical Society, 170 Central Park West (between 76th & 77th). $18 members; $30 general public. Buy tickets here.

TUESDAY, JANUARY 22: The Kitchen L.A.B. with Jacob Kassay, Ralph Lemon, Tristan Perich, Lynne Tillman, Eric Dyer and Maggie Hoffman. The Kitchen L.A.B. is a new program devoted to presenting, discussing, and developing interdisciplinary works revolving around themes of common interest to artists in different fields””and, more specifically, considering the meaning and uses of specific words in contemporary art. 7pm at The Kitchen, 512 West 19th Street. FREE. RSVP on Facebook.

WEDNESDAY, JANUARY 23: Making Room: New Models for Housing New Yorkers showcases innovative design solutions to better accommodate New York City’s changing, and sometimes surprising, demographics, including a rising number of single people, and will feature a full-sized, flexibly furnished micro-studio apartment of just 325 square feet — a size prohibited in most areas of the city. Visitors to the exhibition will see models and drawings of housing designs by architectural teams commissioned in 2011 by Citizens Housing & Planning Council, in partnership with the Architectural League of New York. The exhibition also presents winning designs from the Bloomberg administration’s recently launched pilot competition to test new housing models, as well as examples set by other cities in the United States and around the world, including Seattle, Providence, Montreal, San Diego, and Tokyo. Museum of the City of New York, 1220 5th Ave. Suggested admission: $10 adults; $6 students/seniors.

THURSDAY, JANUARY 24: The Vanderbilt Republic and Untapped New York proudly present THE LISTENING: Vol. II. A Listening Session & Fundraiser for the Far Rockaway Redevelopment Fund. Arin Maya 8pm, Artist Talk 8.30pm, Helioscope 9pm, Batala NYC 9.30pm. Featuring an installation by Athena Azevedo, Vanessa Gonzalez-Bunster & TJ Volonis, Curated by George Del Barrio. Doors 7pm at Gowanus Loft, 61 9th Street, Brooklyn. $20 advance / pay as you can at the door. Buy tickets here.

Also on Thursday: Paolo Ventura’s luminous and haunting photographs function as architectural relics of the imagination, portraying characters and scenarios that are magical, poignant and strangely familiar. Referencing history, art and the subconscious, Ventura’s “invented worlds,” as he calls them, tell stories — some of which he was told as a child by his father, an author of children’s books, and others imagined by the artist himself. Ventura creates his otherworldly photographs by constructing intricate miniature sets and then photographing them, first with a Polaroid for reference and finally with a Pentax 6 x 7 camera. 6-8pm at the Italian Academy for Advanced Studies, Columbia University, 1161 Amsterdam Avenue. FREE. RSVP here.

FRIDAY, JANUARY 25: Join archivist and projectionist, Tom Stathes, for a special screening celebrating the seasons with The Obscura Society. As Winter 2013 draws on, Tom Stathes has curated animated cartoons from the 1920s-1930s for every season of the year. Searching his vast stacks of 16mm animation rarities and Tom has hand-selected a wide array of gems: frolicking Springtime fun and hot Summer calamities for those with a warmer temperament, and breezy, cool Autumn shenanigans as well as snowy Winter escapades for those who relish the cold months. For a glimpse into past visions of the seasons as depicted by the merry-makers of early film animation, come enjoy the latest screening—shown in real 16mm film, with a real projector—a unique experience you’ll be sure to enjoy! 7:30pm at The Observatory, 543 Union Street, Brooklyn. $12. Buy tickets here.

SATURDAY, JANUARY 26: 100 years ago, in 1913, Grand Central Terminal opened its doors to the public and on August 2, 1967, NYC’s recently established Landmarks Preservation Commission designated the Terminal as an official NYC landmark. Join LANDMARK WEST! and The Museum of the City of New York as we celebrate the centennial and discover why this impressive structure is so very worthy of that designation. A Landmark designation is not to be taken for granted: if it was not for fierce and unwavering preservation advocacy, NYers and citizens of the world would be deprived of this building’s splendor today. 1-3pm inside the Atrium of 120 Park Avenue (opposite Grand Central). $20 members; $25 non-members. RSVP to landmarkwest@landmarkwest.org, or call 212-496-8110.

SUNDAY, JANUARY 27: During its six-month run, Frej was an unlikely phenomenon: a seventeen-seat New Nordic pop-up serving a $45 tasting menu Monday through Wednesday in a Williamsburg design studio. Aska, its newly expanded replacement, has gained two extra nights of service (Sunday and Thursday), an additional twelve-seat dining room, and a new partner, general manager Eamon Rockey, whose cocktails share a Scandinavian-inspired, herbal sensibility with chef Fredrik Berselius’s cuisine. The prix fixe menu, now $65 for six to eight small-plate courses, integrates plants like yarrow, lichen, and seaweed, focusing on vegetables and often treating protein as a garnish. 6-10pm at Kinfolk Studios, 90 Wythe Avenue, Brooklyn. $65. RSVP info@askanyc.com

10/02/12 11:20am

TUESDAY, OCTOBER 2:   Poet by day, bartender by night, Geoffrey Bartholomew is “the bard of McSorley’s.” After coming to New York City in 1970, Mr. Bartholomew found himself living in an apartment above McSorley’s and soon afterward serving as its bartender. Join Geoffrey Bartholomew as he reads his poetry and discusses the influence McSorley’s had on his life and work. 6:30-8pm at McSorley’s, 15 E 7th Street. Reservations required: rsvp@gvshp.org or 212-475-9585. FREE.

WEDNESDAY, OCTOBER 3: Ghosts of the Past:  Fading Ads Illustrated Lecture presented by Landmark West! at the New York Society for Ethical Culture. This photo-documentary is also a study of time and space, of mortality and living, as Jump’s campaign to capture the ads mirrors his own struggle with HIV. Experience the ads–shot with vintage Kodachrome film–and the meaning they carry through acclaimed photographer and urban documentarian Frank Jump’s lens. 6pm at the NY Society for Ethical Culture, 2 W 64th Street. Reservations required. $15 for members/$20 for non-members. Buy tickets here.

THURSDAY, OCTOBER 4: DC Moore Gallery is pleased to present its first exhibition by Darren Waterston, Remote Futures. This recent body of work explores the allure and menace of utopian fantasy, where an imagined, idealized paradise holds within it a disconcerting future. 6-8pm at DC Moore Gallery, 535 W 22nd Street. FREE.

Also on Thursday: Family of the Year  and White Arrows  will play at the Mercury Lounge. Doors at 6:30pm. 217 E Houston St. $10 in advance or $12 at the door.

FRIDAY, OCTOBER 5: The New Yorker Festival begins on Friday with a discussion between Martin Amis, John Lanchester and Zadie Smith, and continues through Sunday with talks and panels on issues ranging from cities to love and marriage to politics and money. Guest speakers include Margaret Atwood, Jennifer Egan, Orhan Pamuk, Colum McCann, Julian Barnes, Junot Diaz, Gary Shteyngart, Adam Gopnik, Jonathan Safran Foer, Louise Erdrich, Joyce Carol Oates and many, many more. Check out the full listing of events here. Buy tickets while you still can because they’re selling out fast!

SATURDAY, OCTOBER 6: Open House New York is happening this weekend with a wide variety of events showcasing New York City’s most interesting architecture, history and development. Events range from tours and lectures to workshops and screenings. For a full listing, check the website. Some events have limited space and require reservations for $5, but many events are free. Read more about Open House New York and the sites we’ve covered.

SUNDAY, OCTOBER 7: Archtober  Architecture & Design Month kicked off on Monday, but there are plenty of great events all month long. Sunday highlights include AIANY Architectural Boat Tour with featured guides Gina Pollara and Bill Woods and a series of Free Expert Led  Tours of Great New York Landscapes  including East Village Community Gardens, Brooklyn Botanic Gardens, Historic Harlem Parks, Snug Harbor on Staten Island and more. Check out Archtober’s full listing of events here.

04/11/12 9:07am

Standing on the shore of the Hudson River it seems to declare, “Industry!” “Ambition!”  It is a majestic symbol of the City-Beautiful era and modernity.  Its compelling industrial beauty has inspired its most inspired definition yet:

“The building, a marriage of convenience, a modern metal shed with the face of an aging actress, the utilitarian made beautiful, is our city’s Temple of Power.”  - Mosette Broderick, professor at New York University, author of Triumvirate: McKim, Mead & White: Art, Architecture, Scandal, and Class in America’s Gilded Age

For all of these reasons and more the Preservation League of New York State has named Manhattan’s former Interborough Rapid Transit (IRT) Powerhouse to its list of the Empire State’s most threatened historic resources, Seven to Save. The prestigious designation bodes well for the future of the Beaux Arts masterpiece.

“Since 1999, Seven to Save has mobilized community leaders and decision-makers to take action when historic resources are threatened,” said Jay DiLorenzo, President of the Preservation League.

The threat to the IRT Powerhouse has been substantial in recent years: four of New York’s oldest surviving power stations were demolished between 2005 and 2008. In 2009, Consolidated Edison Company of New York, Inc., the current owner of the IRT Powerhouse, removed the last remaining of six original smoke stacks at the IRT Powerhouse.

“The masonry stacks that were part of the original building were removed after the equipment they serviced was retired,” said Allan Drury, Public Affairs Manager for Consolidated Edison. “The stacks were no longer needed and would have required continuous repairs to keep them from deteriorating.”

The former IRT Powerhouse was designed by Stanford White of McKim, Mead & White, New York’s first “starchitect” and designer of the city’s most significant Gilded Era facades, among them the Astor, Vanderbilt, and Tiffany mansions, the Century and Metropolitan Clubs and the original Pennsylvania Station. The IRT Powerhouse was constructed in 1904 to provide electricity for New York’s first subway system.

Occupying an entire city block that stretches from 58th and 59th Streets and Eleventh and Twelfth Avenues, the mammoth structure became the largest powerhouse in the world upon its completion, representing the highest level of technical sophistication in the production of electrical power at that time. The building heralded a new era of electrical urban transportation, illustrating the power of technology to improve urban life.

The Hudson River Powerhouse Group, a non-profit group championing the effort to see the structure landmarked, has called the Powerhouse “an architectural treasure” and “the physical embodiment of”¦pride in one of the world’s greatest subway systems.” It powered the city’s subways for more than 50 years. In 1959, the subway system required less electricity to run effectively so the Powerhouse was sold to Consolidated Edison and became a steam-generating plant.

Today, the building stands worn and in disrepair after five decades of what appears to be neglect and what Landmark West! has described as “insensitive alterations to the historic building.” Landmark West! is an award-winning non-profit that works to achieve landmark status for individual buildings and historic districts on the Upper West Side of Manhattan.

While the building does appear to meet the criteria for landmark status, architects have gone before the Landmarks Preservation Commission to express Consolidated Edison’s opinion that the building is no longer a candidate for designation — it has undergone too many significant changes over the years.

According to details provided on The Hudson River Powerhouse web site, Consolidated Edison has contributed to the deterioration of the IRT Powerhouse: the company has “cut holes in the exterior walls, demolished the cornice and smokestacks, and punched out windows.” If the structure were to be designated a landmark Consolidated Edison would be required to maintain and preserve the IRT Powerhouse, without altering the façade and structure of the building, “for generations to come.” The investor-owned company would also be expected to reduce its existing footprint substantially within the building and/or move its operations to a more sustainable location.

Consolidated Edison, first established as the New York Steam Company in 1882, provides energy to more than 12 million residents and businesses in the New York metropolitan area. “The 59th Street station is a critical component of our steam system, which is the largest in the United States and one of the largest in the world,” said Drury. “We plan to continue to use the station for energy purposes well into the future.”

“Although the Powerhouse is currently still in use as a source of steam power for Manhattan,” said Robert Hammond, Co-Founder, Friends of the High Line, “it offers a long-term opportunity just as great, as energy technology advances, requires a smaller footprint, and opens up new possibilities for the building’s future use.”

The effort to landmark the former IRT Powerhouse has been in process since 1979 when the first public hearing in the case was held at the Landmarks Preservation Commission. Since then Consolidated Edison has countered that landmark designation would make it more difficult and expensive for the company to operate and modify the station. “That would mean additional costs for steam customers and jeopardize the reliability of our steam system,” said the Consolidated Edison spokesperson. The company lists the Empire State Building, Grand Central Station, the United Nations, hospitals and schools among its customers.

While the future of the former IRT Powerhouse is unsure its potential is certain. The building’s grand scale, pivotal location and glorious architecture have already captured the imagination of developers and investors. Graydon Carter, editor of Vanity Fair, envisions a photography museum in the building. Robert Quinlan of the Quinlan Development Group, dreams of re-adapting the building’s enormous interiors into “a vintage auto museum with rotating exhibits and complimentary uses ensuring a constant flow of local and foreign visitors…” Others have suggested the space be used for performances, public events, general recreation and the exhibition of treasures currently warehoused in existing museums.

The possibilities seem endless for one of Gotham’s grandest buildings. Today, landmark designation for the building enjoys wide support, including that of Mayor Michael Bloomberg who sees its potential as a cultural center for the city. The recent addition of the former IRT Powerhouse to New York’s list of endangered treasures means the building is that much closer to claiming its place at the center of city life.

Follow Untapped Cities on Twitter and Facebook. Get in touch with the author @citygirlwrites.

09/26/11 12:21pm


In a place as unique as New York, it’s not surprising that community groups are actively engaged in preserving and enhancing the City’s environs. The Landmark Feast, held September 25th on the Arthur Ross Terrace at The American Museum of Natural History, benefited New York’s Friends of Roosevelt Park and Landmark West! The Friends of Roosevelt Parks is a non-profit group who has co-managed the eight-acre New York City public park surrounding the American Museum of Natural History for the past two decades. Landmark West! is an award winning community organization which focuses on preserving the best of the Upper West Side’s architectural heritage. All proceeds from the event went towards Friends of Roosevelt Park and Landmark West! preservation endeavors.


The Feast took place in an outdoor setting and features the best-quality local food prepared by recognized Upper West Side chefs. In addition, before the dinner, a cocktail and tasting session occurred which featured 20 top neighborhood restaurants which included Café Luxembourg, ‘Cesca, Compass, Gastroarte, Miss Mamie’s Spoonbread Too, Nice Matin, Nick & Toni’s, Recipe, Rosa Mexicano, Scaletta, Shake Shack and Shun Lee.

Both the dinner and the cocktail events were organized by  Outstanding in the Field, an international leader in the farm-to-table movement with a track record of coordinating unique food experiences across the country.

For more information regarding Landmark West!, please visit their Facebook page. Also, check out our Untapped’s recent Behind the Scenes at the American Museum of Natural History article here.