You may not have heard of Amadeus, but you’ve definitely used the company’s technology while searching for travel plans. Amadeus powers the booking engines of many of the world’s leading airlines and travel companies and now they’re providing these same technological tools directly to the consumer with the website Amadeus.net. Instead of the typical drop down search process, Amadeus lets you fill in the blanks with what you are looking for, just like writing a sentence. There are some neat tools, like semantic search, where you can fill in activities (like art, skiing or fooding), location and time of year and it will match with flight plans. It’s just in beta phase right now but there are hoping users like you can help test out the site.
Last night the New Yorker released its cover for next week’s issue in honor of the attacks at Charlie Hebdo in Paris. By Ana Juan, the illusration shows the Eiffel Tower as the symbolic pencil of journalists, tipped in red amidst a sandstorm of blood. Untapped Cities founder Michelle Young notes, “As a New Yorker, and a writer on Paris with a French husband and a French family now, I have to admit that this image really hit home. Maybe it was the similarity to the cloud of dust at Ground Zero–showing the vulnerability of a recognizable landmark as the symbol of a country’s pain emphasize the shared responsibility the global community has.”
Paris-based photojournalist Steven Wassenaar, a contributor to Untapped Cities who previously showed us life amidst war on the border of Syria and Lebanon, shared with us this photo series he took three years ago at an editorial meeting in the Paris headquarters of Charlie Hebdo, the satirical magazine attacked on the morning of January 7th, 2015. When we saw these images Wednesday afternoon, it brought to life the individual tragedies that now form the raison d’etre for the solidarity expressed on the global stage. It seemed only fitting a few hours later to see New Yorkers and French expatriates put faces to the tragedy in a gathering in Union Square on Wednesday night. Photographs of the eyes of the victims, printed in a style reminiscent of French artist JR’s “Women are Heroes” in the Providência favela of Rio de Janeiro, were held up. “Je Suis Charlie” signs and chants of “We are Charlie” echoed.
Photo by Yana Bannikova
Maybe this expression has prominence because the victims were public figures, or because the messages of Charlie Hebdo were consumed by a collective nation. But it gives us pause as journalists. How can we strive to make reporting of such tragedies more than just numbers?
At Untapped Cities, a good percentage of our team is from France–either living there or working here in the United States, including illustrator David Cessac who passed in 2014. We are Charlie too, and we hope this photo series from Steven Wassenaar inside the headquarters of Charlie Hebdo can highlight even more, the people lost yesterday. Incredibly, Charlie Hebdo will release its next issue on schedule, with an increased print run of 1 million copies next Wednesday.
It’s often said (and most often by Parisians it seems) that Paris is its own museum, frozen in time. For preservation and cultural memory, this is a wonderful thing–though the architecture can make the city feel less progressive at times. One thing this level of preservation does assist–before and after photography. The latest Assassin’s Creed video game takes place in Paris, but the Paris of the French Revolution when heads were being guillotined and there were barricades in the streets. Damien Hypolite, the chef de projet infographie at Sciences et Avenir, matched up the images from the game to present day. Here’s are the images of the famous landmarks side-by-side:
Jardin del Humaya Cemetery, Cuilacan, Sinaloa Mexico
Conspicuous wealth isn’t limited to life on earth, it seems. There are many amazing examples of architectural masterpieces built for the afterlife. While much of the focus is often on the tributes to single individuals–Lenin, Sun Yat Sen–or creepy crypts full of skulls and bones, we’d like to highlight the cemetery cities we’ve been coming across recently. From a distance, some of these may look simply like a suburban residential neighborhood. Look closer, and you’ll realize they’re cities of the dead.
Film director Jevan Chowdhury fell in love with what he calls “cine-dance” in 2010. That year, he directed a short film for an art project commissioned by the dance company East London Dance, in conjunction with West Stratford City: a shopping center in the East London town of Stratford. The film, Dancing Voices, is a five-and-a-half-minute exploration into the many cultures, styles and people that make up the ELD. The dancers perform in public spaces around London, these places include: the Eastbury Manor House in Barking and Dagenham; the Trinity Buoy Wharf in Tower Hamlets; and The View Tube near Queen Elizabeth Olympic Park. Voices was released in 2011 and in the three years since, Chowdhury has been busy directing and editing a series of short films that once again feature dance prominently in his vision. (more…)