These old Manhattan photos look like they were shot 120 years ago – but amazingly they were created in the present day. Taken by artist Jefferson Hayman, the shots are reminiscent of the work of ground-breaking 19th century photographers Coburn, Steichen, and Stieglitz.
The black and white prints, which are handcrafted in silver gelatin and platinum, hark back to a film noir world of rain, trench coats, and cigarettes. Hayman reinforces this appearance of age through his use of antique or self-designed frames, which act as time capsules through which the viewer can step into the world of the photographs.
Although the Picasso tapestry at the Four Seasons Restaurant is now on display at the New York Historical Society, the iconic restaurant in New York City’s Seagram Building has offered yet another reason to stop by. A new exhibit, Side by Side by photographer Robin Hill launched yesterday, and for architectural fans it’s a must-see. The Seagram Building by architect Mies van der Rohe is a fitting backdrop, as Philip Johnson designed both the interior of this Park Avenue skyscraper as well as the Glass House in New Canaan, Connecticut. But the juxtaposition of the Glass House and the Farnsworth House–at least in such a formal study–is new.
Dan Kiley is the most eminent landscape architect you’ve never heard of—a “seminal landscape architect,” said the New York Times in its 2004 obituary, “who combined modernist functionalism with classical design principles in more than 1,000 projects.”
Or, as the Los-Angeles based architect Harry Wolf once commented, “There are plenty of good landscape architects. But there’s only one Dan Kiley, as there was only one Le Nôtre.”
St. Patrick’s Cathedral, 50th Street and Fifth Avenue. Photo by Anderson Moran.
Last August, The New York Times shed light on an often-ignored piece of temporary infrastructure–the scaffolding–via a photographic series. BiLLY BoY, the blog of Manhattan-based architecture and design firm, William Green Architecture, got inspired and did their own series, with photographs by Anderson Moran. The website, which just recently came to our attention, has been exploring what they deem “matters that are rarely, if ever explored.” Can scaffolding be beautiful? You be the judge:
Sting and The Police 8th Avenue and 37th Street, 1978. Photo by Lynn Goldsmith, via Morrison Hotel Gallery
A new exhibit, Streets of NYC, at the Morrison Hotel Gallery features thirty years of celebrity street portraits by photographer Lynn Goldsmith, that incidentally also capture a lot of New York City that has disappeared. As the Boston Globe writes, “this show is as much about New York as it is about her subjects, many of whom have also been close friends and collaborators. Some of the prints show parts of the city that no longer exist. An area where she photographed artists near the West Side Highway is now the High Line.”
Jack Garofalo’s Photographs of 1970s Harlem. Photo by Jack Garofolo/Paris Match, via Getty Images
Living in New York City during the 1970s sometimes meant looking over your shoulder or trying to get indoors before dark. It’s no hidden fact that the city was not exactly at its safest during this time. Just ask The NYC Council for Public Safety, who created an anti-tourist guide to the New York City in 1975. The city was in the midst of a massive crime wave that reached its fever pitch when the infamous blackout plunged the sprawling metropolis into darkness in the summer of 1977. None of this stopped Jack Garofalo, a French photographer for The Paris Match from taking snapshots of Harlem during the summer of 1970. Recently featured on The Retronaut on Mashable, these simple yet captivating photos capture the beauty beneath the grim and gritty veneer of 70s era New York.