Get our weekly newsletter!
Basketball players in front of Daniel Hauben's "Under the El," installed by the MTA on Freeman Street in 2005

Basketball players in front of Daniel Hauben’s “Under the El,” installed by the MTA on Freeman Street in 2005

When we headed up to Freeman Street in the Bronx to see the new Seis del Sur photo exhibit, Sin Límites, we were certainly surprised. This once discouraged-looking elevated stop is hopping with cultural draws. As you get off the train you’ll see elegant panels of colored faceted glass illustrating different subway scenes. Called “The El,” the six panels were created by artist Daniel Hauben, once dubbed the “Bruegel of the Bronx” by the New York Times, who was commissioned by the MTA’s Arts for Transit project in 2005.

Given that the original Seis del Sur exhibit, Dispatches from Home, documented some of the most dramatic and disturbing graffiti in the history of New York, visitors might be justifiably surprised to see the pristine condition of these public art works. Yet pristine they are—not a cracked piece of glass or ugly vandalism as far as the eye can see.


Here are our picks for the best of the Untapped Cities Photo Pool: Vantage Point. We picked these photos because they are all taken from an unexpected perspective. Remember, to have one of your photos entered in the running for a “Best Of” nod, just use  #untappedcities on Instagram or Twitter. Keep an eye on what contributors and readers are checking out by browsing the live feed.

Chasing Light by Denn_ice aka Denn_ice

10488756_324792651011620_135351828_n (more…)

Here are our picks for our Photo Pool. To have one of your photos entered in the running for a “Best Of” nod, just use #untappedcities on Twitter or Instagram. Keep an eye out for what contributors and readers are checking out by browsing the live feed.

An L.A. Escalator by Ridd aka @edd_brock

LA-California-Untapped Cities-Paige Kasick


Leitz Park-Leica Camera Headquarters-Factory-Wetzlar-Germany

When you think of some of the most iconic photographs ever taken–Napalm Girl by Nick Ut, the portrait of Che Guevara by Alberto Korda, the famous V-J Day kiss in Times Square by Alfred Eisenstadt, or Falling Soldier by Robert Capa, just to name a few–chances are they were taken by a Leica camera. Today Leica remains just as prestigious, but is a name more known among professional photographers than the masses. Leica Camera AG has been looking to change that, first with the steady stream of Leica store openings around the world, from Los Angeles to Taipei.

In late May, Leica celebrated its 100th Anniversary with the launch of a brand new headquarters and factory in Wetzler, Germany, where the company began.


Aaron Rose-Coney Island-Museum of The City of New York-NYC-Untapped Cities-Photography© Aaron Rose. Untitled, Coney Island, 1961-63. Photo via MCNY.

Summer is quickly approaching and in just a few weeks, Coney Island beach will fill with tourists, surfers and people just wanting a good hot dog from Nathan’s. Nothing truly symbolizes NYC in the summer more than that first day on the famous boardwalk and beach. But before you waste away that summer body you have been working on due to hot-dog consumption, and praying to the heavens that someone in your group remembered to bring sun-screen, head to the Museum of The City of New York for a new exhibition of photographs by Aaron Rose.


North Brother Island

Unlike other photographers of the abandoned, the work of Christopher Payne has always been about the delicate balance between human presence and physical structure. His study of the Steinway Factory in Astoria, Queens was simultaneously a conceptual exploration of abstraction, an architectural analysis, and how Steinway workers factor into the production space. Each of the workers he photographed had a story, and together, making a piano was like a choreographed dance.

Payne’s recently released book, North Brother Island: The Last Unknown Place in New York City is clearly an evolution of Payne’s particular type of photographic discovery. Of course, there are the perfectly framed images of North Brother Island’s infamous crumbling hospitals and of its industrial gantry. Then there are the interior shots of medical rooms whose ceilings look like they might fall any second.