Bitcoin ATM at The Yard in Williamsburg. Image by Alban Denoyel of Sketchfab
We have a history of reporting on fun ATMs, from the Gold ATM on 57th Street, the Cupcake ATM from Sprinkles, and even some for bike parts. Yesterday, the CEO of Sketchfab, a platform for 3D models based in New York City, showed us the latest Bitcoin ATM he came across at The Yard in Williamsburg, a co-working space. There are now at least three Bitcoin ATMs in New York City, with the first at Flat 128 in Greenwich Village and at Bitcoin retailer, Coin Cafe on Nassau Avenue in Greenpoint which has it in an old-fashioned phone booth.
You can find McCarthy Square, a small but wonderfully maintained traffic triangle, where 7th Avenue, Charles Street, and Waverly Place intersect in the West Village. Beside a dedication to Joseph McCarthy, killed in World War II and a flagpole from the 1939 World’s Fair in Queens are a series of hand-crafted birdhouses.
Whitney Studio. Photo via New York Studio School
Today, the Whitney Studio in Greenwich Village was named a National Treasure by the National Trust for Historic Preservation. A birthplace of the Modern American Art movement the Whitney Studio served as the studio and private salon for the sculptor and arts patron, Gertrude Vanderbilt Whitney and as the first site of the Whitney Museum of Art. Whitney was the oldest daughter of Cornelius Vanderbilt, whom you may remember from his over-the-top French chateau mansion on Fifth Avenue and 57th Street.
Infrastructure is an inevitable part of urban living. Subways and tunnels need ventilation, but the question is often–how to keep these functional spaces contained and away from the public eye? While many subway substations have been gutted and turned into apartments in New York City, other ventilation buildings have been concealed as residential townhouses. Here’s a roundup of these clever pieces of faux architecture in NYC, Paris, London and Toronto:
We’ve previously taken you through 5 of Manhattan narrowest houses, including the narrowest of them all at 75 ½ Bedford Street. In a lot of places, the 9½ foot-width of the former home of Edna St. Vincent Millay would be considered far from luxurious. But in New York, this rare piece of real estate is a marketable commodity: a whole 999 square feet that sold for $3.25 million last year. The recent video from the Wall Street Journal brings us inside the house for the first time.
It has been thirteen years since the attack on 9/11. It was a day so deeply burned in our memories that each one of us individually remembers where we were and what we were doing. Since that day, we have each paid tribute in our own way. This year, The Jefferson Market Library has opened their doors to an exhibit honoring the memories we all shared. The Language of History: A Greenwich Village Artist Remembers 9/11 by artist and local resident Luke Kurtis.
The exhibit features the artists’ language tiles, photography and writings inspired by the families of 9/11, his own memories of that day and the days that followed. Included in the exhibit are some of the Tiles of Remembrance. Later renamed The Tiles for America Project, it was created by Lorrie Veasey at her studio, Our Name Is Mud, next to the empty lot and chain-linked fence on Greenwich Avenue and Seventh Avenue South. This fence became the spontaneous framework for people, both in our community and around the world, to show their feelings in the form of tiles.